CÉCILIA JAUNIAU - VENUDES

 

http://www.ceciliajauniau.com/

IAN RUSCHEL - LAS CALLES DE BORGES

EVE BAILEY - BALANCE AND COORDINATION

http://evebailey.net/

ETSUKO ICHIKAWA - WHO BY FIRE

NOÉ SENDAS - NAMELESS

 http://www.galeriezink.de/

MATÉRIA - CORTIÇA | CORK

Matéria from DESIGN TV on Vimeo.

MARKUS RAETZ - SIMPLE AND CONCRETE

Markus Raetz por nour_films

http://www.crownpoint.com/artists/raetz 

PESSOA IN NEW YORK

GEORGES FRANJU - JUDEX, 1963

 

In her study of French cinema since the French New Wave, Claire Clouzot described Franju's film style as heavily influenced by his predecessors. Clouzot described it as "a poignant fantastic realism inherited from surrealism and jean Painlevé science cinema, and influenced by the expressionism of Lang and Murnau".

Franju's focus on the film was on visuals which he claimed marked a director as an auteur. He claimed to "not to have the story writing gift" and was focused on what he described as the "putting into form" of the film.

http://en.wikipedia.org/wiki/Judex_(1963_film) 

STUDIO h220430 - SILHOUETTE CHAIR

http://www.h220430.jp/index1

WALT WHITMAN - TO A STRANGER

Passing stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.

http://www.whitmanarchive.org/published/LG/

PAOLO SCURA - SMALL COLLISIONS

"There is a symbiosis in all of that: we change our environment and then we change in response to our environment. The city wears us and in return we begin to wear the city. I find all this beautiful, and it is by collecting those impressions and combining them, but at the same time contrasting them, with the fine aesthetics of jewellery that I create my work. Stitched, pierced, punched, melted, fused, cast, constructed, invented... Small collisions, paradoxical jewellery sculptures from everyday."

Paolo Scura

 http://www.wix.com/paoloscura/jewellery#!

http://www.klimt02.net/jewellers/index.php?item_id=23317

KARL BLOSSFELDT - As Formas Originais da Arte

http://www.karlblossfeldtphotos.com/photos_list_live.asp?ID=14

http://obviousmag.org/archives/2010/10/fotografias_de_plantas_de_karl_blossfeldt.html

JESSICA HARRISON - BODY BITES

"Carving, cutting, breaking, shaping, tracing, folding, skinning.

The things I make are about the body: the body in space, the space within the body and the space in-between the two. The body is something we all share in one space or form, the filter through which we all experience the world around us and the objects in front of us."

Jessica Harrison

 

http://www.jessicaharrison.co.uk/ 

KITSUNE - JOÃO PENALVA

http://porta33.com/exposicoes/jp/jpdp.html

MARK LECKEY

 

http://www.tate.org.uk/britain/turnerprize/turnerprize2008/artists/leckey.shtm 

http://www.serpentinegallery.org/2011/03/mark_leckey_19_may_26_june_201_1.html 

JOSÉ LOUREIRO

http://www.porta33.com/exposicoes/jose-loureiro/index.html

http://www.porta33.com/exposicoes/jl/jl3.html

[...] "Objectos que encontram na sua própria pujança material — o ponto físico de onde partem —, um mundo de sedução que os conduz a pulverizar numa projectada e infinda mobilidade a sua existência finita. Assim, uma cadeira exemplifica o seu percurso no espaço, através de uma fuga ao próprio objecto “cadeira”. Vai representar-se com a velocidade vibrátil e fisicamente imaginativa de uma ideia que rompe o seu instável e inicial processo de composição, para adquirir uma ininterrupta condição de vida imaginária. Procura e encontra, dentro e fora do orgânico espaço da pintura, a sua veloz condição de carga cinética. Em muitas das pinturas este mesmo universo encontra a sua expansão na luminosidade de riscas que conduzem um vibrato, uma quase química de irradiações. Conduzem e expandem, enquanto pintura, razão e prazer."

João Miguel Fernandes Jorge

SUNG-YEOUL LEE - THE HEART TAKES PLEASURE FIRST

http://www.sung-yeoullee.com/

Intimacy (Faceted Stone Form)

My goal is associating idea of intimacy in jewelry object to the body. When the piece is on the body, it seems to being embedded or to penetrate the wearer. I feel that it expresses the physical and conceptual connection between piece and wearer. It is important to me that the wearer can be able to feel themselves connected with the jewelry while wearing my work. It is very meaningful in promoting the intimacy between wearer and the work itself.

Sung-Yeoul Lee

LEE UFAN - WHERE TIME BECOMES ART

 

http://www.m-bochum.de/artist_image_en.php?SID=DUd7JttzGQRd&aid=26&aname=LeeUfan